Unveiling American Chinatown: Bridging Fictional Narratives and Societal Realities
Keywords:
American Chinatown, diaspora narratives, Asian American literature, ethnic identity, cultural representation, fiction and reality, immigrant experiences, urban ethnicity, racial discourse, socio-cultural analysisAbstract
This interdisciplinary study investigates the multifaceted nature of American Chinatowns, exploring the dynamic interplay between their literary representations and their lived social realities. Often shrouded in exoticism and misconception, these urban enclaves have been depicted in diverse ways across literature, ranging from sensationalized accounts to intimate portraits of immigrant life. Simultaneously, Chinatowns function as vital social, economic, and cultural hubs for Chinese American communities, evolving significantly over time from initial immigrant settlements to complex contemporary spaces. By examining a range of literary works alongside historical and sociological analyses, this article aims to deconstruct common stereotypes and illuminate the rich, intricate tapestry of Chinatown experiences. This research will demonstrate how literary narratives, while sometimes contributing to reductive views, also offer crucial insights into the struggles, resilience, and identity formation within these communities, often revealing truths overlooked by purely factual accounts.
References
Iris Chang, The Chinese in America: A Narrative History (New York: Penguin Books, 2003).
Ellen G. Hodges, Surprise Land: A Girl’s Letters from the West (Boston: Cupples, Upham & Co, 1887).
Jeffery Paul Chan, “‘I’m a Chinaman’: An Interview with Frank Chin (1970),” Chinese American Voices: From the Gold Rush to the Present, edited by Judy Yung, Gordon H. Chang and Him Mark Lai (Berkeley: University of California, 2006), 304–20.
Frank Chin, “Confession of the Chinatown Cowboy,” Bulletin of Concerned Asian Scholars 4.3 (1972).
Frank Chin, The Chickencoop Chinaman and The Year of the Dragon: Two Plays by Frank Chin (Seattle: University of Washington Press, 1981).
Elaine H. Kim, Asian American Literature: An Introduction to the Writings and Their Social Context (Beijing: Foreign Language Teaching and Research Press, 2006).
Marlon K. Hom, Songs of Gold Mountain: Cantonese Rhymes from San Francisco Chinatown (University of California Press, 1987).
Min Zhou, Chinatown: The Socioeconomic Potential of an Urban Enclave (Philadelphia: Temple University Press, 1992).
Suzanne Samuel, “Time Heals No Wound,” The Women’s Review of Books 10.8 (1993).
Fae Myenne Ng, Bone: A Novel (New York: Harper Perennial, 1993).
Jan Lin, Reconstructing Chinatown: Ethnic Enclave, Global Change (Minneapolis: University of Minnesota Press, 1998).
Wenying Xu, “Fea Myenne Ng’s San Francisco Chinatown as a Social Space of Legal Discrimination,” Asian American Literature and the Environment, edited by Lorna Fitzsimmons, Youngsuk Chae and Bella Adams (New York: Routledge, 2015), 30–46.
Hsiang-shui Chen, Chinatown No More: Taiwan Immigrants in Contemporary New York (New York: Cornell University Press, 1992), ix.
Wei Li, Emily Skop and Wan Yu, “Enclaves, Ethnoburbs, and New Patterns of Settlement among Asian Immigrants,” Contemporary Asian America: A Multidisciplinary Reader, edited by Min Zhou and Anthony C. Ocampo (New York: New York University Press, 2016), 193–211.
Charles Yu, Interior Chinatown (New York: Pantheon Books, 2020).
Huping Ling, Chinese St. Louis: From Enclave to Cultural Community (Philadelphia: Temple University Press, 2004).
Chengyong Jiang, “‘The Century of Science’ and the Characteristics of Literature: On the Relationship between Science and Truth-Seeking of Realism,” Foreign Literature 4 (2022).
Downloads
Published
How to Cite
Issue
Section
License

This work is licensed under a Creative Commons Attribution 4.0 International License.
Authors retain the copyright of their articles published in this journal. All articles are licensed under the Creative Commons Attribution 4.0 International License (CC BY 4.0). This license permits unrestricted use, distribution, and reproduction in any medium, provided the original author and source are properly cited.